STATE
OF HOAX
STATE OF HOAX IS A METAPHYSICAL AND INTUITIVE STUDY THAT AIMS TO ENCAPSULATE AND MIRROR, THROUGH IMAGE, THOUGHT AND MOVEMENT, THE WAY THE HUMAN BODY APPEARS TO OURSELVES ACCORDING TO OUR OWN INTELLECT, PERCEPTION, NEED AND PLEASURE.
A MEMORY BASED ON DIFFERENT NARRATIVES, OBSERVATIONS AND REFLECTIONS, HEREIN CONSUMMATED OR SHAPED, GETS US CLOSER TO UNDERSTANDING OUR OWN ORGANISM, AND HOW IT ALLOWS US TO VALUE OUR ENVIRONMENT.
A CRITICAL ACTION BEFORE THE LAWS AND/OR TRENDS THAT HAVE THE CAPACITY TO GOVERN AND INTERFERE WITH OUR OWN BELIEFS.
BY FURTHER ARTICULATING THE PRISTINE PERCEPTION OF OUR IDENTITY AND IDEOLOGY, THIS WORK ASPIRES TO REFLECT THOSE BRANCHES OF OPPRESSION THAT KEEP US BOUND AND CAGED.
IT IS A TRIBUTE TO THE BEAUTY OF THE HUMAN BODY THAT AIMS TO FINE-TUNE, PROTECT AND PORTRAY IT THROUGH CONTEMPORARY DANCE.
A SENSORY EXPERIENCE THAT RAISES THE DUALITIES LINGERING HALFWAY BETWEEN REALITY, FICTION, AND THE SEARCH FOR WHOM WE ARE.
DIRECTION ALBERT GARRELL PRODUCTION ALBERT GARRELL & LAB 3.14 CHOREOGRAPHY ALBERT GARRELL MOVEMENT ASSISTANT ANNA ALTÉS TRENCHS STARRING ANNA ALTÉS TRENCHS & ALBERT GARRELL ACTORS JOSEP ALERT GARCIA, LAIA MORA MARTÍNEZ, JUANJO JOSE OCHOA, NOELIA LEMONCHE, JAM GHISINI &JOSE DÍAZ MUSIC YMA SUMAC, BYETONE, MAX RICHTER, GRAZE DAVIDSON, & MAXENCE CYRIN TEXT ALBERT GARRELL VOICE NÚRIA SANTMARTÍ BLANCH COSTUME ALBERT GARRELL, CARME TRENCHS & ALICIA ROSADO CAMARA JUDIT POLO EDITION JUDIT POLO LIGHTING JUDIT POLO & ALBERT GARRELL SOUND JUDIT POLO COLOR JUDIT POLO POST-PRODUCTION JUDIT POLO
SHIFTING
TIDES
SHIFTING TIDES is an audiovisual dance piece that explores the intersection between climate change and the emotions of new generations. Through movement and sound, this work visualizes the internal struggle and collective urgency in the face of an environmental crisis that is reshaping our reality. Dance, as a language of body and emotion, becomes the perfect metaphor to express the discomfort, hope, and resilience of those who bear the weight of an uncertain future.
The project addresses not only the physical and mental impacts of climate change, but also the profound transformation in humanity's relationship with nature. It is a silent cry that denounces the damage caused, yet also an invitation to imagine a new way of coexistence—one that is more generous and respectful of the ecosystem that sustains us.
Through this work, new generations position themselves as agents of change, wishing to move through a world that cares for itself, where prevention and protection of the planet are fundamental principles. A visual reflection that invites us to question our attitudes and open paths toward a fairer, more sustainable, and peaceful reality."
DIRECTION ALBERT GARRELL PRODUCTION EMMA GROVES CINEMATOGRAPHY ROGER BAYERRI CONCEPT & IDEA ALBERT GARRELL CAMERA ASSISTANT PAU SALVADO CHOREOGRAPHY ALBERT GARRELL STRARRING D5 STUDENTS, INSTITUTE OF THE ARTS MUSIC NTO, BICEP, Murcof, Christophe Zurfluh, Edgar Abril Fortuny & Tunnelvisions MUSICAL ARRANGEMENTS EDGAR ABRIL FORTUNY COSTUME ALBERT GARRELL & DANCERS EDITION ROGER BAYERRI & ALBERT GARRELL LIGHTING & SET DESIGN ANNA BOIX ÁLVAREZ & ALBERT GARRELL POST-PRODUCTION ROGER BAYERRI & ALBERT GARRELL
STROKED BY
A DELUSIONAL BEAUTY
STROKED BY A DELUSIONAL BEAUTY IS A FILM INSPIRED BY THE STENDHAL SYNDROME AND THE ABILITY TO BE MOVED IN MANY WAYS BY BEAUTY, WHILE THE OBJECT OF BEAUTY MAY CHANGE FROM ONE PERSON TO ANOTHER.
A PIECE THAT TRAVELS THROUGH THE HISTORY OF ART AND ITS DIFFERENT ERAS.
DIRECTION ALBERT GARRELL PRODUCTION EMMA GROVES CINEMATOGRAPHY ROGER BAYERRI CONCEPT & IDEA ALBERT GARRELL ASSISTANT DIRECTOR CECILIA IRIS CHOREOGRAPHY ALBERT GARRELL STARRING D5 STUDENTS, INSTITUTE OF THE ARTS MUSIC GILLIAN HILLS, NINO ROTA, STUDIO ORCHESTRA, MINA, CHARLES DUMONT, ROBERTO PIANA, ANTONIO POMPA-BALDI & MASSIEL MUSICAL ARRANGEMENTS JOSEP ALERT GARCIA COSTUME DEBALLET CAMARA & EDITION ROGER BAYERRI LIGHTING & SET DESIGN AMADEO SALERNOU & ALBERT GARRELL POST-PRODUCTION ROGER BAYERRI & ALBERT GARRELL
I CAN HANDLE
THE KICK,
DEAR
I CAN HANDLE THE KICK, DEAR REFLECTS ON THE CONCEPT OF MASS CULTURE.
THE DESIRE OF WANTING TO BREAK FREE FROM A CERTAIN GROUP OF PEOPLE WHO ACT ACORDING TO THE GRADE OF LIKEABILITY THEY CAN EXTRACT FROM INDIVIDUALS OUTSIDE THEIR OWN REALITY, CONDITIONED BY THE STANDARDS THEY HAVE BEEN INTRODUCED IN THE CURRENT SOCIETY IN WHICH WE SUBSIST.
THIS FILM INVESTIGATES THE NEED TFOR APPROVAL AND THE STRUGGLES WE FACE WHEN BREAKING STEREOTYPES THAT INCITE US TO PAY LESS ATTENTION TO THE IMMINENT KICK WE MIGHT RECEIVE AS WE BEGIN TO ABSENT OURSELVES FROM OUR OWN FREEDOM.
A GAMES THAT DIVIDES AND POSITIONS US.
LET’S PLAY.
DIRECTION ALBERT GARRELL CONCEPT/IDEA ALBERT GARRELL PRODUCTION EMMA GROVES, & INSTITUTE OF THE ARTS CHOREOGRAPHY ALBERT GARRELL STARRING D5 STUDENTS, INSTITUTE OF THE ARTS MUSIC RYOJI IKEDA, MICHAEL WALL & TRAVIS LAKE MUSICAL COMPOSITION JOSEP ALERT GARCIA COSTUME ALBERT GARRELL CAMARA & EDITION ROGER BAYERRI LIGHTING DANIEL SANCHEZ ALBERT GARRELL COLOR ROGER BAYERRI POST-PRODUCTION ROGER BAYERRI & ALBERT GARRELL
